[National Review Online, October 12, 2007]
“We’re drowning in quirk,” wrote Michael Hirschorn in the September Atlantic Monthly. A few decades ago, humor was one thing (a Bob Hope pun, for example) and drama was another (say, “North by Northwest”). Now there’s all this in-between, poignant and sprightly in uneven doses. Here’s Napoleon Dynamite, dancing his friend Pedro’s way into high Student Government office; there’s David Cross on Fox’s “Arrested Development,” a would-be member of the Blue Man Group, self-blued except for the spot on his back he doesn’t know he couldn’t reach. Quirkiness is everywhere, even journalism. “This American Life” presents lives and topics, American and otherwise, that have been burnished to quiet strangeness. I got hooked with the episode about the man who discovered one of his cable channels was showing security-camera footage from a lobby somewhere. He went from thinking this hilarious, to tuning in out of occasional curiosity, to obsessing, taping it while at work so he could catch up when he came home. You know, stuff like that. Quirky.
The King of Quirk is surely Wes Anderson, director of “The Darjeeling Limited” and four previous films, all of them acclaimed and odd:
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