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I love movies like this. But, sad to say, I didn’t love this movie. I hoped I would, but one clunker after another kept accumulating—a hackneyed character here, a stupid line of dialogue there—until it was sounding like a sneaker in a dryer.
That’s too bad, because this format has been the foundation of some terrific, thought-provoking films. You take a sizeable number of characters, most of whom have never met, and set their stories in motion. As the multiple plots unfold, each character is being drawn closer to the center, where a resolution awaits that, in the best of these films, can be simultaneously unexpected and inevitable. Let’s coin a term and call them “drawstring” movies, a subset of the genre known as “ensemble” films.
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